Un Very long Dimanche para Fiançailles
The 2004 France film El Long Dimanche de Fiançailles directed by Jean-Pierre Jeunet, stars Audrey Tautou because Mathilde, a girl trying to find her fiancée Manech (Gaspard Ulliel) who may have disappeared in the wake of World Warfare One. Everyone believes this individual has perished after getting court-marshalled, nevertheless Mathilde will not believe it, clinging to little strands of expect as your woman delves profound into the unknown surrounding her fiancée, their self, and the people she satisfies along the way. What originally came me in was the throwing of Audrey Tautou since the main figure. I loved her in Amelie and À la Folie... Passing du Tout and I was anxious to view her through this role which will seemed different from her quirky characters in all those other two films. I actually wasn't disappointed; I absolutely cherished her with this film! In certain minor methods her figure reminded me of her position as Angélique. Both Angélique and Mathilde were young ladies obsessed with take pleasure in and their personal ideas that they can refused to look at as false no matter how much people tried to convince them otherwise. The difference in their obsessions is that when Angélique was psychotically unstable, Mathilde was not, even though a large number of people thought she needed to be to keep seeking a shed cause.
After the primary draw of Audrey Tautou, the story, mise-en-scene, and visual effects kept me connected. I thought the film was visually spectacular and was extremely practical at laying out the time period. Every aspect from the music and lamps to the models and costumes combine to almost travel you to early on 1900's England, pre, during, and post-World War One particular. While really realistic, the filmmakers likewise managed to add in some Méliès-esque special effects. As much as the story goes, if the movie opened up I was instantly turned off many stopped watching. The starting was incredibly disturbing and too gory for my personal tastes as it all too accurately depicted trench life and the horrors of war. My spouse and i honestly believed I was heading...
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