Dingdong: " chuckle of frosty command” (5)
The harsh and cutting " c” audio emphasizes Ozymandias' once questionable power.
Consonance: " these types of lifeless things” (7)
The graceful, soft, and wispy " s” sound is fleeting, just like the short lived things of this world just like power and possessions.
Ozymandias, also referred to as Ramses II, was a great Egyptian Pharaoh. He was once the most powerful person in Egypt, with all the souple he would ever be able to ask for. This kind of allusion to such an effective man, now only recalled in a damaged statue, is definitely significant because this shows that even the most abundant and highly effective man of the time no longer offers any impact or importance.
Alliteration: " Boundless and bare” (13)
The smooth, almost indistinct " b” sound demonstrates the formless, lonely condition of Ozymandias' statue. -Renee
Imagery: " Half sunk, a shattered visage lies” (4) -- Gives stunning impression in the atmosphere and mood of the scene
Constance: " a shattered vignette lies" (4)- the smooth " s" sound shows how the monarch's power provides faded
Repetition: the repeating thematic elements of the sand as well as the desert (throughout whole poem) - allows the reader to get in the mindset with the ancient Egypt setting, features the haziness and dreariness of the desert… connect to " sands of time” -Allen
lines 3~7, fente depict broken down, shattered statue itself
range 3 implies a range between the broken phrases, and emphasises the " nothingness” with the surrounding; there exists nothing besides this broken down statue, the " sound of nothing” (if which makes sense)
Consonance: " two great and trunkless legs of stone”
" s” audio creates smoothed out image of the statue due to becoming cut by sandy breeze and deteriorating.
Rhyme Scheme: Petrarchan style with a lot of variation
broken rhyme system representing Ozymandias...
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